Nepal’s small film industry has produced a handful of internationally recognised dramas over the last two decades, quietly documenting a country still rebuilding after a decade of civil war. Seto Surya forces two brothers on opposite sides of the conflict to cooperate over their father’s body, White Sun sends a former Maoist rebel home to bury his estranged father, and Kagbeni has a father trying to outrun a prophecy about his daughter’s twenty-fifth birthday. Pashupati Prasad, Loot, Jhola, Sano Sansar and The Black Hen round out the list.